2011

NOTES FROM SAN FRANCISCO - LP All tracks composed by Rory Gallagher.

Disc one

STUDIO

  1. "Rue the Day" – 4:26
  2. "Persuasion" – 4:45
  3. "B Girl" – 4:42
  4. "Mississippi Sheiks" – 5:56
  5. "Wheels within Wheels" – 3:40
  6. "Overnight Bag" – 4:46
  7. "Cruise on Out" – 5:19
  8. "Brute Force & Ignorance" – 5:45
  9. "Fuel to the Fire" – 5:43
  10. "Wheels within Wheels (Alt. Version)" – 3:55
  11. "Cut a Dash" – 3:49
  12. "Out on the Tiles" – 4:22

Disc twO

LIVE

  1. "Follow Me" (from Top Priority) – 6:25
  2. "Shinkicker" (from Photo-Finish) – 3:42
  3. "Off the Handle" (from Top Priority) – 7:01
  4. "Bought and Sold" (from Against the Grain) – 4:43
  5. "I'm Leavin'" – 4:35
  6. "Tattoo'd Lady" (from Tattoo) – 6:49
  7. "Do You Read Me" (from Calling Card) – 6:11
  8. "Country Mile" (from Calling Card) – 3:51
  9. "Calling Card" (from Calling Card) – 5:51
  10. "Shadow Play" (from Photo-Finish) – 5:11
  11. "Bullfrog Blues" (from Live in Europe) – 5:38
  12. "Sea Cruise" – 3:29

WHAT DONAL GALLAGHER THINK ABOUT THIS ALBUM

Initial Release: May 17th, 2011

Record Label: UMC

Location: His Master’s Wheels, San Francisco, California. Old Waldorf, San Francisco, California

Producer: Elliot Mazer / Daniel Gallagher

Featuring:

Rory Gallagher  (Guitars, vocals, and harmonica)

Gerry McAvoy (Bass guitar)

Rod de’Ath (Drums)

Lou Martin (Keyboards, Piano)

Ted McKenna (Drums)

Martin Fiero (Saxophone)

Joe O’Donnell (Violin​)

ALBUM REVIEW

Fourth album to be publish after Rory's passing and very interesting thing to discover it, 34 years after his non publication. 

Rory was not satisfied of what was suppose to become his ''American Album'', changed most of his bandmates (Goodbye Lou Martin and Rod de'Ath, welcome Ted McKenna) and published, one year latter, ''Photo finish'' keeping on it in different versions: "Mississippi Sheiks" – "Overnight Bag" – ''Cruise on Out" – "Brute Force & Ignorance" – "Fuel to the Fire". Interesting to: ''B Girl'' will become 'Public enemy N°1'' on 1979 album 'Top Priority.

For my part I will particularly remember a sublime version ''Fuel To The Fire'' in my opinion superior to the one recorded subsequently for ''Photo Finish''

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